【产业链上的山东好品牌】诺亚信息技术：智造路上点“数”成金
2025中国企业全球形象高峰论坛 完美世界总编辑伊迪：中国文化“出海” 要与世界文明“相融”
国际友城拓展至54个国家95个城市，世界市长对话青岛活动启幕
同仁堂科技：荣获国家药典标准提高课题 完成芪参颗粒Ⅱ期临床用药生产
A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about. Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.
Lavazza三度携手上海劳力士大师赛 以咖啡之名致敬网球精神
2025国际商用车智能制造暨车架技术峰会将在十堰召开
体坛午爆中网女单第三轮张帅今晚出战，皇马、利物浦连胜遭终结
WTT男双半决赛 王楚钦梁靖崑不敌法国组合
集美龙舟池五彩球景观与圆月交相辉映 引来打卡热潮