缅北14may18_XXXXXL56endian

LCK第二阶段：有点东西，DK三局战胜HLE！

兖州供电中心：走访问需保障供热企业用电

2025山西省民营企业百强榜单在太原发布

日媒：东电控股单季净亏8576亿日元

1962年1月13日，国民党空军“黑猫中队”的一架U-2侦察机自台湾桃园机场起飞，驶向大陆进行秘密空中侦察。14个小时后，一份绝密的军事情报被呈报到蒋介石和蒋经国父子手中。

A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about. Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.

守正创新提质效 绘就发展新蓝图

纵横谈｜用服务温度接住“传家锅”热度

运-20将再赴韩国，接英雄回家！