大象视频回家导航

工行安顺分行“金融教育宣传周”活动取得积极成效

德云社精品相声专场天津站爆笑来袭。包括郭德纲、于谦、高峰、张鹤伦、杨鹤通在内的一共九对演员，先后登台表演。阵容是封箱级别的，实力极强，值得期待。

赣州VS新余：客场输球 主场决战

电影艺术的饕餮盛宴来了！“影像之灯”中外电影名作展登陆长春

江西队在全国残疾人运动会上创佳绩

宜得利的“进与退”：一场以消费者为中心的战略升维

A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.

尼尔再谈《美末1》：火萤真能做出疫苗 但被乔尔打断

美国宾州一载有学生巴士发生侧翻事故 致21人受伤