江西银行获评中国人民银行2024年度金融科技发展奖三等奖
河北五超·微视频｜赛场街舞表演 萌娃帅气斗舞引来阵阵喝彩
亚洲舞蹈研究与实践协会正式加入联合国教科文组织国际舞蹈委员会（CID-UNESCO）
《穿越火线》现在多人生化想踢人有多难？挂机默认反对，20票起步
芯片设计5年内有望达万亿规模！今年注册量已同比增加20.6%
武进这一景区全国前十！
韩国设计师白钟国为小鹏设计总监，全新P7比Model 3 更具魅力
Fourteen-year-old Farha dreams of attending school in the city with her best friend Farida, but she knows that, as the daughter of the mukhtar (the head of the village, played by Ashraf Barhom), she is in for an uphill battle against tradition. Girls Farha’s age are expected to marry. It’s 1948, and British control over Palestine is coming to an end. What Farha and her father do not yet know is that forced displacements are already happening across the region. When Israeli bombs reach their village, Farha’s father locks her in the cellar of their home, promising to return as soon as he can. While Farha waits and watches through the cracks, the village she was so excited to leave is transformed to ruin, threatening an end to the future she had planned and leaving only trace memories in its wake. A dauntless and compelling feature debut by Jordanian filmmaker Darin J. Sallam, Farha captures both the isolating terrors of war and the lingering beauty that can colour recollections of dispossession — a mental record of the last laugh shared, the faint smell of freedom before the void of exile. An impressive lead performance from newcomer Karam Taher punctuates catastrophic loss with uncompromising determination. In this remarkable and devastating story, Sallam’s resonant directorial voice presents a penetrating perspective on the Nakba and returns the gaze to a cultural legacy in the midst of a global resurgence.
交响乐指挥家为学生种下美的种子
第二十届闻景古中医文化交流大会在河南成功举办