衢州“十四五”平安建设成果丰硕，绘就安全与发展共赢画卷
一只松鼠导致吉林松原“半城”停电？谣言！
歌手、奥运冠军、宠物告别师……《桃之夭夭》呈现多元女性图鉴
李在明辞去党首竞选韩国总统，祝愿他心想事成
外交部回应东部战区在台岛周边联合演训：“台独”妄图倚外谋“独”注定失败
杭州制造摘下装备制造业“皇冠上的明珠”
阜阳13日零时起停止旧房装修补贴
《胡阿姨的花园》首映，导演历时9年拍出平凡人的“精神花园”
向北书店：历史文化街区里的书香坐标
The day Kelly-Anne has been waiting for has arrived. The trial begins for Ludovic Chevalier, accused of the brutal murder of three underage girls. Unlike most people, Kelly-Anne is fascinated by the man, she becomes obsessed with him and attends every single court hearing in the hope he’ll give her at least a fleeting glance. The border between reality and fantasy starts to blur, however, until Kelly-Anne ceases to be a mere passive observer. Pascal Plante once again expresses an interest in female subjectivity, nevertheless, this time he has come up with an arthouse thriller about the perilous attraction of evil. At the same time, the interplay between what we can and can’t see, and what is explicit and what is conjecture, develops into an almost physical viewing experience. 源自：https://www.kviff.com/en/programme/film/63/40082-red-rooms