陈小霞2025“COMPOSER老翅膀”音乐分享会温情上演，广州北京双城演绎创作人生
为何献血400ml没事失血400ml却危险？
赤水市文华街道：九字诀破解赤水河（文华段）违法垂钓整治难题
沈阳热电石油经销有限公司因违反安全生产管理规定被罚1万元
临危不乱：揭秘飞机紧急撤离的科学与艺术
东城中医医院针灸科张鹏：中医穴位埋线治疗鼻炎的方案
“胡萝卜书记” 传经赋能新农干
Upper Austria in 1750. A fish pond reflects the overcast sky. A deep, dark forest swallows the sunlight. On a hilltop, the corpse of a hanged woman is displayed. As an example. A warning. An omen? The deeply religious and highly sensitive Agnes regards the dead woman with pity. But also with longing: she feels like a stranger in the world of her husband Wolf, whom she has just married. It is an emotionally cold world consisting of work, chores and expectations. Agnes increasingly withdraws into herself. Her internal prison becomes ever more oppressive, her melancholy more overwhelming. Soon, her only way out seems to be a shocking act of violence.
2025威尼斯国际电影节·华语电影交流会 共筑中意影视合作新桥梁
2025厦门国际时尚周明日登场 在中山路、鼓浪屿等文旅地标举行