一群来自五湖四海的年轻姑娘们，怀惴报国理想来到军营。她们分别是欧霞（邹倚天 饰）、文丽（张敬 饰)、田娥（闵朝晖 饰）、谢蓉蓉（黄莉 饰）等，每个人家庭出身不同，脾气性格迥异，但理想一致。经过严格的训练和无数次摸爬滚打，她们很快成长为威震军营的女子特警队员。重大抢劫案发生后，领导一声令下，姑娘们奔赴案发现场，面对猖狂劫匪，她们机智勇敢地全部擒获。随着军营生涯的流逝，她们都成长为自觉的革命军人，个别队员克服了自身的娇气和散漫习惯，处处以大局为重，成为令人称奇的军中霸王花......
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受经济危机影响，经营迪斯科的外山正道（绪形拳 饰）欠下黑帮野崎组巨额贷款。其妻（多岐川裕美 饰）因被催讨债务的黑帮分子强奸，愤而自杀。外山曾许诺在妻子生日当天买下价值495万日元的猫眼钻石作为生日礼物，于是他铤而走险，劫持野崎组500万日元履行诺言。与此同时，珠宝店集结了5个经历各异的女人：受资金困扰的健身俱乐部老板阿兰（余贵美子 饰）、目睹阿兰购买枪支并尾随而来的早纪（夏川结衣 饰）、丈夫出轨而想取下戒指的志保（西山由海 饰）、与珠宝店劫匪串通的女店员千寻（喜多岛舞 饰）以及身着水手服自称17岁的站街妓小百合（大竹忍 饰）。野崎组?中岛组小弟携女友抢劫珠宝店，却不曾想阿兰坐收渔利，失意的女人们随其逃出，为找回猫眼石的外山紧随其后。而闻听风声的黑帮亦磨刀霍霍，展开追逐……
丁子龙、梅远、姜二宝、程鹏、张志刚、廖军因为不同原因参军当了消防兵，他们在一次又一次的血与火的考验中浴火成长。他们参与处理危险化学品泄漏、道路交通事故、建筑坍塌、重大安全生产事故、群众遇险事件和突发公共卫生事件的救援工作，哪里有危险，哪里就有他们的身影。不幸的事情发生了，一家鞭炮厂爆炸，紧急救援中，张志刚英勇牺牲。面对一同入伍的好友，廖军受不了眼前生离死别的打击，提前退伍。而丁子龙、梅远、姜二宝、程鹏四人则在《送战友》的歌声中揩干眼泪，完成了从菜鸟到消防尖兵的嬗变，成为新时期最可爱的消防战士。
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Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
bbox撕裂bass孕妇故事讲述两个孤独的人在赫尔辛基的夜晚偶然相遇，并试图找到彼此生命中的第一个，唯一且最终的爱。他们通往这个目标的道路被男人的酗酒、丢失的电话号码、不知道彼此名字或地址，以及生活总倾向于在那些寻求幸福的人
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