被后世称作“魔法少女事变”的，炼金术士卡萝的世界解剖计划被阻止的数周之后。立花响以最大最强的敌人为对手展开格斗，被其压倒在地任凭摆布。面对的威胁——其名为“暑假作业”。作为学生的本分，避无可避的命运残酷到束手无策，无情到无可抗拒。为什么会变成这样呢？心灵仿佛要被碾碎一般，回首过去的响。去了海边。也去了山上。因为与新的朋友们做了约定，以此为理由，充分享受了各处的夏日祭，晚上也像个傻瓜一样大张着嘴仰望烟花。在盂兰盆节离开学生宿舍，回到千叶的老家。久违的家人团聚。
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A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.