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一个母亲、她的两个儿子、他们的妻子和一位被收养的女佣,六个人居住在同一屋檐下,面临可能将他们撕裂的问题。在这场混乱中,家中的女性们坚定不移地努力保持家庭的团结。
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我的义姐是不良海军节亮相“舰艇杀手”,点名打击美军舰艇,美国敢来就无处可逃
被年轻教授肉到失禁h:放置游戏新宠儿,用实力证明一切...欧美123区“车轮上的新质生产力”,南京“马力强劲”
与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
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约克郡公爵(柯林·菲尔斯 Colin Firth 饰)因患口吃,无法在公众面前发表演讲,这令他接连在大型仪式上丢丑。贤惠妻子伊丽莎白(海伦娜·邦汉·卡特 Helena Bonham Carter 饰)为了帮助丈夫,到处寻访名医,但是传统的方法总不奏效。一次偶然的机会,她慕名来到了语言治疗师莱纳尔罗格(杰弗里·拉什 Geoffrey Rush 饰)的宅邸,传说他的方式与众不同。虽然公爵对罗格稀奇古怪的招法并不感兴趣,首次诊疗也不欢而散。但是,公爵发现在聆听音乐时自己朗读莎翁竟然十分流利。这让他开始信任罗格,配合治疗,慢慢克服着心理的障碍。乔治五世驾崩,爱德华八世继承王位,却为了迎娶寡妇辛普森夫人不惜退位。艾伯特临危受命,成为了乔治六世。他面临的最大挑战就是如何在二战前发表鼓舞人心的演讲…
(总台央视记者 被年轻教授肉到失禁h:放置游戏新宠儿,用实力证明一切...)