体验区30秒

发布时间: 阅读量: 422
体验区30秒

国产文具创意“破圈”

一图读懂邹平市打好“三大战役”、实施“三大行动”动员大会

血管钙化是补钙闹的?

土耳其达达尼尔海峡航道重新开放

东城中医医院特聘专家韩峰:颈后凸起的成因与“消包”指南

兴业银行济南分行:以金融之力助力企业低碳转型发展

Fourteen-year-old Farha dreams of attending school in the city with her best friend Farida, but she knows that, as the daughter of the mukhtar (the head of the village, played by Ashraf Barhom), she is in for an uphill battle against tradition. Girls Farha’s age are expected to marry. It’s 1948, and British control over Palestine is coming to an end. What Farha and her father do not yet know is that forced displacements are already happening across the region. When Israeli bombs reach their village, Farha’s father locks her in the cellar of their home, promising to return as soon as he can. While Farha waits and watches through the cracks, the village she was so excited to leave is transformed to ruin, threatening an end to the future she had planned and leaving only trace memories in its wake. A dauntless and compelling feature debut by Jordanian filmmaker Darin J. Sallam, Farha captures both the isolating terrors of war and the lingering beauty that can colour recollections of dispossession — a mental record of the last laugh shared, the faint smell of freedom before the void of exile. An impressive lead performance from newcomer Karam Taher punctuates catastrophic loss with uncompromising determination. In this remarkable and devastating story, Sallam’s resonant directorial voice presents a penetrating perspective on the Nakba and returns the gaze to a cultural legacy in the midst of a global resurgence.

“大脑重启”不是科幻片:MECT治疗室里的“无痛升级”全记录

定南这支小学女足凭何夺下全国冠军?

华鲁集团:确保“十五五”期间进入千亿级企业行列