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抗日战争时期,华北某地。我八路军的一座兵工厂突然发生爆炸,保卫部周部长(浦克 饰)断定是敌人所为,急令侦察科王科长(庞学勤 饰)立即侦办,同时派部队搜索追踪。王科长在搜索途中,发现在一座古庙附近有
《奔腾年代》开机 高希希致敬“西部军魂”。 由星美影业、星亿东方、广州基金、联众动力、希世纪影视联合拍摄,著名导演高希希执导的军旅剧《奔腾年代》。 日前正式在文化古城敦煌开机,该剧汇聚了邵兵、
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The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
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阳光明媚的一天,湾岸警署照例吃喝玩乐,歌舞升平,特别是强行系青岛俊作(织田裕二 饰)和搭档们又搞出一连串的麻烦,令成为他上司的真下正义(中山裕介 饰)大为光火。与此同时,湾岸署喜事临门,王明才(滝藤賢一 饰)即将和日籍恋人结婚,为了庆祝这一象征中日友好的大戏时刻,青岛自告奋勇担当婚礼干事,原本就公事繁忙的强行系,不觉间又增添了许多的压力。在此期间,小王、和久伸次郎(伊藤淳史 饰)、篠原夏美(内田有紀 饰)、緒形薫(甲本雅裕 饰)、恩田蓳(深津绘里 饰)也各有各的烦恼。 围绕着湾岸警署的闲杂琐事,各种大小案件也层出不穷,丰富着这群不靠谱警察每一天的生活……
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跨越时空的三个女人,因为一个名字被联系起来----戴罗薇夫人。 弗吉妮娅·伍尔芙(妮可·基德曼),生活在上世纪20年代的伦敦郊区,正在完成她最后一部小说《戴罗薇夫人》。游走在虚构与现实生活边缘的