亳州两人因发布网络谣言被罚
烟台业达医院获首届黄河杯显微外科学中青年病例比赛三等奖
《霍格沃茨》新作与哈利波特剧集关联：引入经典角色
公交安全设施维护有妙招
覆盖市区1000平方公里！合肥城区将启动控制性详细规划编制
探索无界，视野全开 —— Suunto Vertical 2 户外探险腕表正式上市
韩国歌手Dept正式在全球范围内发行其第二张正规专辑《Dream Age》
A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
1555年，时为战国时代。 有位青年怀抱着远大的梦想，被人称作大傻瓜的他正是后来的织田信长。 有一位仰慕着青年的少女，被信长的梦想所吸引的她笑着说道“我要成为信长大人的忍者！” 目标只有一个，那就是天下布武！
踏遍层峰辟新天 中国重汽集团2025年合作伙伴大会成功举办